“This will be presented in the dastangoi storytelling form, minus the traditional attire, with the smell of cooked potatoes engulfing the room (the duo used to steal potatoes from the fields of fellow villagers to feed themselves)," says Dalvi, who will be one of the two narrators of this story. I discovered a pond, sat crisscrossed on a rock overlooking it, and sank into the rhythms of Bassnectar’s music as the dancing lights on the water imitated each musical note. When you throw out positive energy into the universe it shoots back at you like a boomerang. Hindi writer Munshi Premchand’s Kafan, the story of a poverty-stricken father-son duo so consumed by greed that they ignore the pain of a pregnant family member, will be next. Leaders need to be the light in a dark room and focus on the silver lining in any situation. Towards the end of the 20-minute performance by two actors, the audience will be asked to participate, with a question being posed to them: What would they like to do first, beat up the kaka or save the girls he has trapped? It’s high on sexual aggression and bloodshed," he says. “Theatre of cruelty is a genre that aims to shock, unsettle, anger and disgust the audience it’s not usually seen on stage. Through this story, Dalvi wants to revive French playwright Antonin Artaud’s theatre of cruelty. “Each story in this production has a smell to go with it," says Tushar Dalvi, who has conceptualized and directed The Darkroom 2.0, adding, “The lollipop is actually symbolic of the sweets the paedophile kaka used to lure young girls (with)."
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